Ist Ralph so wie in seinen Filmen?
von RalucaV » 15.03.2006, 18:42
Dolarhyde hat geschrieben:dass das kind von ihm ist, ist mir auch schon durch den kopf gegeganen
im januar hieß es sie sei im 5. monat !
Mal sehen...ich denke, dass es am wenigstens ein bisschen verdachtig war, wenn sie so bald nach Filmen schwanger war...und dann die Knutschenfotos...und so viele. Ich sage nur: Alles ist moglich.
Aber wir mussen auch erkennen, dass wir wirklich garnicht wissen und am moglichsten nie wissen werden....
I'm your priest, I'm your shrink, I'm your main connection to the switchboard of the souls...
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RalucaV
- Voldies Zauberstabhalter
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von AmonFan » 15.03.2006, 21:12
Zu dem Geburtstermin ich habe irgendwann mal ausgerechnet dass, das kind wohl im August entstanden ist und btw da waren die beiden dauernd zusammen unterwegs weil da TCG in Amerika angelaufen ist und dann waren sie in einigen shows und na ja venice war ja auch noch mit dabei........^^.....und klar diese Knutschattacken sind definitiv nicht normal.....bin ja mal gespannt!!!!;)
Hinweis: Falls in gewissen Gesprächsrunden einfach mal der Sinn fehlt, dann war es der Edit-Button!!!!
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AmonFan
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von AmonFan » 15.03.2006, 23:33
Na das wäre doch mla ne story da würde sich die englische presse ja das maul zerreisen!!!!!
Hinweis: Falls in gewissen Gesprächsrunden einfach mal der Sinn fehlt, dann war es der Edit-Button!!!!
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AmonFan
- Ralphs Sonnenschein
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von Annabel » 20.03.2006, 17:29
4 Fragen 
In The English Patient, Fiennes quizzes Kristen Scott Thomas with a series of four questions in order to know her better. I present the same questions to Fiennes.
Q: "When were you most happy?"
"Oh, this is from The English Patient?" he asks. "I think I was very happy in the adventure of rehearsing Hamlet, or playing Hamlet. I was tired, I was exhausted, I was frustrated. Often, I would be bad some evenings. It was extraordinary to continually investigate that part -- every night you have to say extraordinary lines that are applicable to everyone, and it's a special challenge to make that connection every night."
Q: "When were you least happy?"
He pauses. Outside, a bus rolls by, a few cars honk. Fiennes lets out a heavy breath. A minute and four seconds pass, then he says, quite softly, "Not any one given moment, but times over a couple of years when two things combined to make me unhappy. One was that sense that my first marriage was not actually working, combined with the knowledge that my mother was terminally ill."
Q: "What do you love?"
A pause of 11 seconds. "I don't know why I give into these questions. I feel very uncomfortable being put on the spot," he says. "That's the mistake about your questions -- the scene is two people in complete privacy, and your interview is going to be printed everywhere. He sighs; 30 seconds pass.
"I want to say something that's true." Another 20 seconds of silence. "Every day, you enter a mess of uncertainty, you encounter tensions and anxieties. I like certainty -- not rituals. Things like a clean handkerchief, pressed and white, or a pressed shirt. It's like putting on the costume for tonight's performance. The shirt has been cleaned, you feel you've been given a fresh start. Then a few hours later, it's used. And that's you. And you've got to live with it. I love the first drink of the day, round about seven or eight, when you think, Okay, it's a mess again -- but it's alright." He laughs.
Q: "What do you hate most?"
"Mmm." A pause of more than 30 seconds. "I hate myself, if I've been duplicitous or fraudulent. Or if I was not particularly pleasant to someone -- you get so wrapped up in work, you can be very selfish and ignore people around you, and then you come out of that tunnel, and you think, Christ, what a shit I was. It's all tied in with the clean handkerchief, you see: a fresh start."
In The English Patient, Fiennes quizzes Kristen Scott Thomas with a series of four questions in order to know her better. I present the same questions to Fiennes.
Q: "When were you most happy?"
"Oh, this is from The English Patient?" he asks. "I think I was very happy in the adventure of rehearsing Hamlet, or playing Hamlet. I was tired, I was exhausted, I was frustrated. Often, I would be bad some evenings. It was extraordinary to continually investigate that part -- every night you have to say extraordinary lines that are applicable to everyone, and it's a special challenge to make that connection every night."
Q: "When were you least happy?"
He pauses. Outside, a bus rolls by, a few cars honk. Fiennes lets out a heavy breath. A minute and four seconds pass, then he says, quite softly, "Not any one given moment, but times over a couple of years when two things combined to make me unhappy. One was that sense that my first marriage was not actually working, combined with the knowledge that my mother was terminally ill."
Q: "What do you love?"
A pause of 11 seconds. "I don't know why I give into these questions. I feel very uncomfortable being put on the spot," he says. "That's the mistake about your questions -- the scene is two people in complete privacy, and your interview is going to be printed everywhere. He sighs; 30 seconds pass.
"I want to say something that's true." Another 20 seconds of silence. "Every day, you enter a mess of uncertainty, you encounter tensions and anxieties. I like certainty -- not rituals. Things like a clean handkerchief, pressed and white, or a pressed shirt. It's like putting on the costume for tonight's performance. The shirt has been cleaned, you feel you've been given a fresh start. Then a few hours later, it's used. And that's you. And you've got to live with it. I love the first drink of the day, round about seven or eight, when you think, Okay, it's a mess again -- but it's alright." He laughs.
Q: "What do you hate most?"
"Mmm." A pause of more than 30 seconds. "I hate myself, if I've been duplicitous or fraudulent. Or if I was not particularly pleasant to someone -- you get so wrapped up in work, you can be very selfish and ignore people around you, and then you come out of that tunnel, and you think, Christ, what a shit I was. It's all tied in with the clean handkerchief, you see: a fresh start."
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Annabel
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von Dolarhyde » 20.03.2006, 17:47
ja als cowboy gefällt er mir sehr gut. er sollte sich vielleicht mal bemühen ein anständiges western-drehbuch in die hände zubekommen 
zu den 4 fragen. also irgendwie liebe ich seine art, dass er die fragen immer so ernst und ehrlich wie möglich zu beantworten versucht. er könnte ja auch eine kurze lustige antwort geben, aber nein, er setzt sich mit den fragen wirklich auseinander.
btw ... von wann ist denn das interview? '97 oder älter?
er sollte sich vielleicht mal bemühen ein anständiges western-drehbuch in die hände zubekommen
zu den 4 fragen. also irgendwie liebe ich seine art, dass er die fragen immer so ernst und ehrlich wie möglich zu beantworten versucht. er könnte ja auch eine kurze lustige antwort geben, aber nein, er setzt sich mit den fragen wirklich auseinander.
btw ... von wann ist denn das interview? '97 oder älter?
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Dolarhyde
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